Of course: You dismiss your own errors and lies while harping on and on about what you percieve to be mine.
I answered the question accurately given the admitted misunderstanding I had concering it the first time, then even more accurately the second time.
I also specifically acknowledged that "true melodic minor" is more commonly known as "harmonic minor."
We both know that I did, so why are you
lying about it?
Once again, I find myself schooling you on music theory. I've bolded the relevant portions, again.
Finally (and this is a tidbit of knowledge I've been holding back, in order to see if you'd ever pick up on it, but alas: you haven't), the 'melodic minor' (in my experience, the most proper wording when referring to both the ascending and descending forms is "modern melodic minor") has two distinct forms. One ascending and one descending. To say that 'the melodic minor is W H W W W W H' without acknowledging that it descends differently is highly incorrect and quite dishonest, if you know as much about music as you claim to. The 'melodic minor' that you continually refer to descends identically to the natural minor, which is W H W W H W W.
The Jazz minor is the same as the ascending melodic minor, and is notably different from the 'melodic minor' in that it descends through the same intervals as it ascends, without reverting to the natural minor. Therefore, each time you said that the melodic minor is W H W W W W H, you were wrong, as that formula only accurately describes a jazz minor, unless the mention of descending as the natural minor is made. (You never made this mention.)Had you said "jazz minor" instead of "melodic minor" the first time, I would never have misunderstood your question. Had you said "jazz minor" instead of "melodic minor" in all your arguments against my position, you might have had something resembling a point, assuming I'd said the "jazz minor" follows the pattern I gave.
However, this is not the case. You have consistantly attributed the jazz minor's formula to the 'melodic minor' in an attempt to 'prove' I lied about something. You have also continually quote mined my post to make it appear as such.
You implied it several times.
You are assuming that BDW didn't know that your ratio could produce it. In fact, he specifically acknowledged that it could. You on the other hand, explicitly claimed that the post in which he gave an accurate description of it somehow proved he didn't know what it was.
You can classify my reasons for not doing it however you wish, but you can't change the fact that I have agreed to do so once you demonstrate some integrity.
Quote even a single example of any of the FM lying about who they are. Just one. It doesn't even need to be me.
You're lying again because the FM are almost invariably honest: We don't need to lie to make points.
Doesn't matter how much you want to squirm. You started off by saying Melodic minor was actually W H W W W W* H. That was in order to gain the kinda "I'm correcting you" ground. The reason you won't take up my offer to settle this at a music theory forum is because you know it is wrong.
I've written plenty of tunes that utilize ascending and descending melodic minor scales, harmonic minor scales, hybrid scales, chord scales, Neapolitan major, double harmonic minor, and the rest. I have nothing to prove to you.
Your formula does not apply to ascending nor descending, nor Jazz minor. You simply spelled out the Harmonic minor scales, and won't own up to the error.
And as for your FM are honest, HARRRRRRRRRRR!!! priceless indeed. You guys need to get a real life.
Unlike the post you made at Sapos about being BDW and probably deleted, the posts here won't be deleted. So, Matt, come to a music theory forum, if you think you are so right. wouldn't you like the chance to shwo me up and school me where it matters? You choose and forum, and make the first post.
Boneidol
8th September 2008 - 04:58 PM
Basically Matt, when are you going to admit that W H W W W W* H is the harmonic minor scale formula, and you were wrong? That every musician worldwide knows that formula as Harmonic minor.? That there is no true Mel Minor about it?
Then maybe the Doc will admit he was just supporting his pal when he agreed with you.
MjolnirPants
8th September 2008 - 04:59 PM
QUOTE (Boneidol+Sep 8 2008, 04:52 PM)
Doesn't matter how much you want to squirm. That was in order to gain the kinda "I'm correcting you" ground.
Still dismissing the glaringly obvious (to me, anyways, maybe not so much to those who don't read our arguments, or those who don't have an education in music theory) errors you make in order to focus on my 'errors', I see.
QUOTE
You started off by saying Melodic minor was actually W H W W W W* H.
And then I immediately after (the very next sentence) pointed out that the scale I was referring to is more commonly known as the harmonic minor.
QUOTE (->
| QUOTE |
| You started off by saying Melodic minor was actually W H W W W W* H. |
And then I immediately after (the very next sentence) pointed out that the scale I was referring to is more commonly known as the harmonic minor.
The reason you won't take up my offer to settle this at a music theory forum is because you know it is wrong.
You're lying again. How could you possibly know my motivations?
I've given the answer to the question of why I won't take this argument to another forum. I've given two answers, actually. To sit here and claim I'm lying simply because it supports your position to believe I'm lying is highly dishonest.
QUOTE
And as for your FM are honest, HARRRRRRRRRRR!!! priceless indeed. You guys need to get a real life.
Is that your example of one of us lying?

You know, providing a single example would have proven you right. Why didn't you do that, I wonder?
Most likely, because you know you are lying through your teeth, and you know that any 'example' you quote can be easily demonstrated to be truthful.
NEONOM
8th September 2008 - 05:00 PM
QUOTE (Boneidol+Sep 8 2008, 04:52 PM)
And as for your FM are honest, HARRRRRRRRRRR!!! priceless indeed. You guys need to get a real life.
You just dont know honesty when you see it spui
Boneidol
8th September 2008 - 05:20 PM
QUOTE (MjolnirPants+Sep 8 2008, 04:59 PM)
Still dismissing the glaringly obvious (to me, anyways, maybe not so much to those who don't read our arguments, or those who don't have an education in music theory) errors you make in order to focus on my 'errors', I see.
And then I immediately after (the very next sentence) pointed out that the scale I was referring to is more commonly known as the harmonic minor.
You're lying again. How could you possibly know my motivations?
I've given the answer to the question of why I won't take this argument to another forum. I've given two answers, actually. To sit here and claim I'm lying simply because it supports your position to believe I'm lying is highly dishonest.
Is that your example of one of us lying?

You know, providing a single example would have proven you right. Why didn't you do that, I wonder?
Most likely, because you know you are lying through your teeth, and you know that any 'example' you quote can be easily demonstrated to be truthful.
Ok then, one more time. It started about here, I said:
QUOTE
A B C D E F# G# A = A Melodic Minor scale
There is your notes for one of the two forms. Inverting the steps required to make that scale is just the first step. You need the second form that many composers used to descend a given melody with, invert the steps of that scale again, view the results and try to work out a new mirror scale from it all.
Obviously the other form is to flatten the 6th and 7th degrees of the scale when descending. You obviously know that too. But you came back with this:
QUOTE (->
| QUOTE |
A B C D E F# G# A = A Melodic Minor scale
There is your notes for one of the two forms. Inverting the steps required to make that scale is just the first step. You need the second form that many composers used to descend a given melody with, invert the steps of that scale again, view the results and try to work out a new mirror scale from it all. |
Obviously the other form is to flatten the 6th and 7th degrees of the scale when descending. You obviously know that too. But you came back with this:
The formula for a melodic minor scale is W H W W H W* H (W* is an augmented 2nd).
The notes you give are for an ascending melodic minor in A, not a true melodic minor. (otherwise known as a harmonic minor)
Well PROVE IT then. Because as far as every other musician is concerned you just gave the Harmonic minor formula and said the notes I'd given are not a true melodic minor. Unless musicians have been wrong all these centuries, you better prove your statement.
I could ask every theorist and teacher if the notes I gave were that of the melodic minor and they would agree they were. Every web site I've found agrees. Why is it different with you? Of course it is the ascending melodic minor. The true melodic minor. The descending is merely the Aeolian mode. No whiff of harmonic minor.
History never called the melodic minor the harmonic minor and the harmonic minor the true melodic minor. One scale was divised for harmony, and the other for melody.
When you turn up to a jam and the pianist tells you he wants you to play A Meloidic Minor over his tune, you'd better play A B C D E F# G# A. And nowadays it is rare that the Aeolian is palyed descending. And quit with the history speil, or they'll kick you outta the jam wise guy.
Boneidol
8th September 2008 - 05:35 PM
Not even Wikipedia agrees with you M Pants. No mention of true harmonic minor. You better go and correct it eh?
[QUOTE]The natural minor scale is the same as the Aeolian mode, but music in the minor scale in the common practice period of Western music usually uses a leading tone a semitone below the tonic: the chord built on the dominant (fifth scale degree) is almost always a major triad, at least at cadence points; consequently the seventh degree of the scale must be raised with an accidental. Hence music using the "natural" seventh degree, called the subtonic, sounds ancient, folkloric or modal to Western ears.
Harmonic and melodic minor
The above considerations of chordal harmony led to the harmonic minor scale, the same as the natural minor but with a chromatically raised seventh degree. For example, in the key of A minor, the harmonic minor scale is:
A B C D E F G# A'[/QUOTE]
That would be your W H W W W W* H. No one mention of true melodic minor here.
[QUOTE]The harmonic minor is also occasionally referred to as the Mohammedan scale as its upper tetrachord resembles a common Arabic maqam.
The interval between the sixth and seventh degrees of this scale (in this case F and G sharp) is an augmented second. While some composers, notably Mozart, have used this interval to advantage in melodic composition, other composers, having felt it to be an awkward leap, particularly in vocal music, considered a whole step between these two scale degrees more conducive to smooth melody writing, so either the subtonic seventh was used or the sixth scale degree raised. Traditionally, music theorists have called these two options the ascending melodic (also known as heptatonia seconda) and descending melodic minor scales, the latter being simply the natural minor, the former being identical in its upper tetrachord to the major scale:
A B C D E F# G# A' and then
A G F E D C B A' respectively (Aeolian)
Composers have not been consistent in using these in ascent and descent melodies. Just as often, composers choose one form or the other based on whether one of the two notes is part of the most recent chord (the prevailing harmony). Particularly, to use the triad of the relative major - which is very common - since this is based on the third degree of the minor scale, the raised seventh degree would cause an augmented triad; composers thus frequently require the lowered seventh degree, that which is found in the natural minor.
http://en.wikipedia.org/wiki/Minor_scale[/QUOTE][/QUOTE]
Harzburgite
8th September 2008 - 05:37 PM
I'm glad you guys are not having a major argument.
(Sorry, did that fall flat? I'm just a little keyed up at the moment.)
Boneidol
8th September 2008 - 05:39 PM
QUOTE (Harzburgite+Sep 8 2008, 05:37 PM)
I'm glad you guys are not having a major argument.
(Sorry, did that fall flat? I'm just a little keyed up at the moment.)
Very sharp! The whole here is greater than the parts.
MjolnirPants
8th September 2008 - 05:42 PM
QUOTE (Boneidol+Sep 8 2008, 05:20 PM)
Well PROVE IT then. Unless musicians have been wrong all these centuries, you better prove your statement.
QUOTE
The notes you give are for an ascending melodic minor in A, not a true melodic minor. (otherwise known as a harmonic minor)
There you go. I clearly and unambigiously identified the scale I gave as a 'true melodic minor', which is otherwise known as a harmonic minor.
QUOTE (->
| QUOTE |
| The notes you give are for an ascending melodic minor in A, not a true melodic minor. (otherwise known as a harmonic minor) |
There you go. I clearly and unambigiously identified the scale I gave as a 'true melodic minor', which is otherwise known as a harmonic minor.
Because as far as every other musician is concerned you just gave the Harmonic minor formula and said the notes I'd given are not a true melodic minor.
That is correct, so long as you view the phrase as ' "true melodic minor" ' instead of ' "true" melodic minor'.
It's an issue of semantics, Liu. You claiming I said that W H W W H W* H is what you call a 'melodic minor' (which I would refer to as a 'modern melodic minor') is supported
only by a skewed interpretation of the semantics involved in my post.
QUOTE
I could ask every theorist and teacher if the notes I gave were that of the melodic minor and they would agree they were.
Wrong. They would say it was the 'ascending melodic minor' or the 'jazz minor'.
QUOTE (->
| QUOTE |
| I could ask every theorist and teacher if the notes I gave were that of the melodic minor and they would agree they were. |
Wrong. They would say it was the 'ascending melodic minor' or the 'jazz minor'.
Every web site I've found agrees.
I've seen quite a few that don't. Trippy found a reference or two to what I'm talking about, and he's got no musical education worth speaking of.
QUOTE
Of course it is the ascending melodic minor. The true melodic minor.
Those two terms are not synonymous.
QUOTE (->
| QUOTE |
| Of course it is the ascending melodic minor. The true melodic minor. |
Those two terms are not synonymous.
The descending is merely the Aeolian mode. No whiff of harmonic minor.
I never once claimed the descending was the harmonic minor. Straw-man.
QUOTE
History never called the melodic minor the harmonic minor and the harmonic minor the true melodic minor. One scale was divised for harmony, and the other for melody.
On the first part, I never called the melodic minor the harmonic minor, nor claimed that anyone ever properly did so. Straw-man #2.
You are wrong. Historically, after the development of the melodic minors, but before the ending of catholic condemnation of music in the minor or harmonic minor scales, the harmonic minor was quite often termed the "true melodic minor." due to the fact that it was from the harmonic minor that the melodic minors were created.
QUOTE (->
| QUOTE |
| History never called the melodic minor the harmonic minor and the harmonic minor the true melodic minor. One scale was divised for harmony, and the other for melody. |
On the first part, I never called the melodic minor the harmonic minor, nor claimed that anyone ever properly did so. Straw-man #2.
You are wrong. Historically, after the development of the melodic minors, but before the ending of catholic condemnation of music in the minor or harmonic minor scales, the harmonic minor was quite often termed the "true melodic minor." due to the fact that it was from the harmonic minor that the melodic minors were created.
When you turn up to a jam and the pianist tells you he wants you to play A Meloidic Minor over his tune, you'd better play A B C D E F# G# A.
When I turn up to jam and tell another educated musician to play "the A melodic minor" he'll ask me "which one?" to which he'll expect a response of either "the harmonic minor/the true melodic minor", "the modern melodic minor" or "the jazz minor".
If I played merely in the scale you gave, I would be playing the jazz minor, which is not the same as the modern melodic minor.
QUOTE
And nowadays it is rare that the Aeolian is palyed descending. And quit with the history speil, or they'll kick you outta the jam wise guy.
Actually, my knowledge of music history has gotten me invited to many jam sessions, and never once gotten me barred.
Boneidol
8th September 2008 - 05:46 PM
QUOTE
There you go. I clearly and unambigiously identified the scale I gave as a 'true melodic minor', which is otherwise known as a harmonic minor.
BS BS BS. Can't you read the link I just sent in?
And Trippy is an idiot who is just sticking up for his wittle pal Matty. Or he can send in any link he claims to have found.
I'm not suggesting you don't have a knowledge of music theory. I'm suggesting you are a lying brat in this case. You have the evidence plonked under your very nose, and you still don't want to admit you are wrong. It's a physorg thing I know. It won't happen where it matters, which is cool. Kids will be kids.
MjolnirPants
8th September 2008 - 05:48 PM
QUOTE (Boneidol+Sep 8 2008, 05:35 PM)
Not even Wikipedia agrees with you M Pants. No mention of true harmonic minor.
That's a major contradiction... How can it disagree with me if it makes no mention of the subject I am talking about, only subjects which are intergral to it?
QUOTE
BS BS BS.
No matter how many times you keep making this claim, it won't change what I wrote, dumbass...
QUOTE (->
No matter how many times you keep making this claim, it won't change what I wrote, dumbass...
And Trippy is an idiot who is just sticking up for his wittle pal Matty. Or he can send in any link he claims to have found.
He PMed them to me. One of them was one of the same links I considered giving to you, until I decided there was no point, as you've clearly demonstrated your contempt for the truth many times.
QUOTE
I'm suggesting you are a lying brat in this case.
Yet you claimed that me saying I said something which you quoted as me saying was BS...
Odd...
QUOTE (->
| QUOTE |
| I'm suggesting you are a lying brat in this case. |
Yet you claimed that me saying I said something which you quoted as me saying was BS...
Odd...
You have the evidence plonked under your very nose, and you still don't want to admit you are wrong.
You have not presented any evidence whatsoever that the phrase "True melodic minor" does not refer to the harmonic minor. All you've done is demonstrate your own failure to grasp the subject by misunderstanding the difference between a modern melodic minor and a jazz minor, your dishonesty by quote mining and ignoring any mention of your own lies repeatedly, and your desperation by clinging
to an argument based on semantics.
Boneidol
8th September 2008 - 05:53 PM
QUOTE (MjolnirPants+Sep 8 2008, 05:48 PM)
That's a major contradiction... How can it disagree with me if it makes no mention of the subject I am talking about, only subjects which are intergral to it?
Ok Matt I get it. Tossing off with the Clintonesq logic again. Well, Ferk Off then you silly boy.
MjolnirPants
8th September 2008 - 05:56 PM
QUOTE (Boneidol+Sep 8 2008, 05:53 PM)
Ok Matt I get it. Tossing off with the Clintonesq logic again. Well, Ferk Off then you silly boy.
Clintonesque logic?
The wiki article does not address the phrase "true melodic minor." How could it possibly then prove that the phrase is an invention of mine?
You continually dismiss any logic or source which disagrees with you, yet you continually accuse me of dishonesty.
As I've pointed out before, the best case you could hope to prove is that the phrase "true melodic minor" is much more esoteric than I have indicated it to be, which is possible. But rather than work that position, you choose to claim I am lying, in order to try to win an argument. You're engaging in the very behavior you claim to find "pathetic."
Boneidol
8th September 2008 - 05:57 PM
QUOTE
He PMed them to me. One of them was one of the same links I considered giving to you, until I decided there was no point, as you've clearly demonstrated your contempt for the truth many times.
I wager you that you will NEVER produce one. Nor will you ever bring your speil to a real music forum.
You may have succeeded in having me burnt at the stake a few centuries ago, with your false accusations. But now your mind games are limited to the odd unmoderated forum and Joint.
MjolnirPants
8th September 2008 - 06:07 PM
QUOTE (Boneidol+Sep 8 2008, 05:57 PM)
I wager you that you will NEVER produce one. Nor will you ever bring your speil to a real music forum.
I have already given you the conditions under which I will do both.
The moment you convince me that you have learned to accept being wrong and admit to your own dishonesty, I will produce the name of the textbook I initially got the phrase from, the link me and Trippy referred to, emails from various musicians (including a professional music teacher who is a member of the Music Teacher's National Association) attesting to the historical existence of the phrase, and my accurate usage of it and will go with you to a music forum where we can continue this discussion with some actual hope of resolution.
Until that point, I'm done accepting your challenges. I've a perfect track record for doing so thus far, while the two times (out of over 6 challenges that I've issued to you) you have tried to accept my challenges, you've failed. Accepting your challenges is pointless, and accomplishes nothing, since you've dismissed my responses every time (odd, considering that you implied that the ability to respond accurately would prove something).
I still hold to those conditions. The moment I think you are capable of being honest, I will give you everything you've asked for.
Boneidol
8th September 2008 - 06:15 PM
QUOTE (MjolnirPants+Sep 8 2008, 06:07 PM)
I have already given you the conditions under which I will do both.
The moment you convince me that you have learned to accept being wrong and admit to your own dishonesty, I will produce the name of the textbook I initially got the phrase from, the link me and Trippy referred to, emails from various musicians (including a professional music teacher who is a member of the Music Teacher's National Association) attesting to the historical existence of the phrase, and my accurate usage of it and will go with you to a music forum where we can continue this discussion with some actual hope of resolution.
Until that point, I'm done accepting your challenges. I've a perfect track record for doing so thus far, while the two times (out of over 6 challenges that I've issued to you) you have tried to accept my challenges, you've failed. Accepting your challenges is pointless, and accomplishes nothing, since you've dismissed my responses every time (odd, considering that you implied that the ability to respond accurately would prove something).
I still hold to those conditions. The moment I think you are capable of being honest, I will give you everything you've asked for.
You pretentious little dipstick. Either send in your evidence, or STFU.
And also I don't really care about your obscure little phrase. Another example of you playing difficult. Kids like you at school were instantly avoided and laughed at because they were little know-alls. You tell them that a foot is 12 inches, and they would come back with "aaah, but which system are you talking about?". SLAP!
The sports teacher just gets on and measures the jump as 6 ft 3 inches, and fukk your alternative systems.
Post your evidence BDW/Mpants.
You and your fukking opponents and challenges., You are a man led by your ego. Until I met people like you here, i was doing rather nicely not caring about competing and dual minded scoffers. What's up with your poor wounded egos? Scared you're a failure deep down?
MjolnirPants
8th September 2008 - 06:41 PM
QUOTE (Boneidol+Sep 8 2008, 06:15 PM)
You pretentious little dipstick. Either send in your evidence, or STFU.
Send in your evidence that retrograde inversion was invented in the 20th century as part of "12 tone row theory".
Send in your evidence that tonal inversion and retrograde inversion are the same thing.
Send in your evidence that you were the first to truly explore tonal inversion.
Send in your evidence that you are not Liu, but a new member.
Send in your evidence that BDW doesn't know what a ditonic comma is.
Send in your evidence that your book doesn't address mathematics, but only music.
Send in your evidence that your book does not address music. (umm...)
Send in your evidence that we are all bullies.
Send in your evidence that we are all liars.
Send in your evidence that my interactions here are ego driven, and not driven by a desire for amusement.
Send in your evidence that I and BDW are the same person.
Send in your evidence that scientific theories rejected by the mainstream are commonly verified.
Send in your evidence that I don't understand physics as well as I claim to.
Send in your evidence that the FM have harmed anyone.
Send in your evidence that your book has practical applications in string theory.
Send in your evidence that science in the modern world is a 'fraud'.
Send in your evidence that science is not responsible for technological progress.
Send in your evidence that the scientific method is useless.
Boneidol
8th September 2008 - 06:51 PM
QUOTE (MjolnirPants+Sep 8 2008, 06:41 PM)
Send in your evidence that retrograde inversion was invented in the 20th century as part of "12 tone row theory".
Send in your evidence that tonal inversion and retrograde inversion are the same thing.
Send in your evidence that you were the first to truly explore tonal inversion.
Send in your evidence that you are not Liu, but a new member.
Send in your evidence that BDW doesn't know what a ditonic comma is.
Send in your evidence that your book doesn't address mathematics, but only music.
Send in your evidence that your book does not address music. (umm...)
Send in your evidence that we are all bullies.
Send in your evidence that we are all liars.
Send in your evidence that my interactions here are ego driven, and not driven by a desire for amusement.
Send in your evidence that I and BDW are the same person.
Send in your evidence that scientific theories rejected by the mainstream are commonly verified.
Send in your evidence that I don't understand physics as well as I claim to.
Send in your evidence that the FM have harmed anyone.
Send in your evidence that your book has practical applications in string theory.
Send in your evidence that science in the modern world is a 'fraud'.
Send in your evidence that science is not responsible for technological progress.
Send in your evidence that the scientific method is useless.
What a pile of rubbish yet again. Send in your friggin evidence that I've claimed to have been the first to truly explore tonal inversion. If you'd bothered to read you'd know I don't make those claims.
Now stop stalling dipstick, and either admit you are wrong, or send in that evidence of your own.
What you've just posted is cop out stuff. There is no "true melodic minor" phrase you have speiled on about is there? You're just a little liar are you not? And oh look, you didn't have to get into my original question to you, that was spawned over at sciforums, when you came a clippety clopping in.
My favourite one in your list has to be that I need to send in evidence that you are BDW. Very very cute sunshine. Even that was shoved under your nose but you refused to admit it. Geesus, wot a forum. Phew. Good job you can't do too much harm elsewhere.
people that aren't your mates here are begining to think you are a right fraud Matt. I knew that from months ago.
NEONOM
8th September 2008 - 07:17 PM
QUOTE (MjolnirPants+Sep 8 2008, 06:41 PM)
Send in your evidence that retrograde inversion was invented in the 20th century as part of "12 tone row theory".
Send in your evidence that tonal inversion and retrograde inversion are the same thing.
Send in your evidence that you were the first to truly explore tonal inversion.
Send in your evidence that you are not Liu, but a new member.
Send in your evidence that BDW doesn't know what a ditonic comma is.
Send in your evidence that your book doesn't address mathematics, but only music.
Send in your evidence that your book does not address music. (umm...)
Send in your evidence that we are all bullies.
Send in your evidence that we are all liars.
Send in your evidence that my interactions here are ego driven, and not driven by a desire for amusement.
Send in your evidence that I and BDW are the same person.
Send in your evidence that scientific theories rejected by the mainstream are commonly verified.
Send in your evidence that I don't understand physics as well as I claim to.
Send in your evidence that the FM have harmed anyone.
Send in your evidence that your book has practical applications in string theory.
Send in your evidence that science in the modern world is a 'fraud'.
Send in your evidence that science is not responsible for technological progress.
Send in your evidence that the scientific method is useless.
And before that you can send in evidence that you are not a complete delusional godsucker cos we havent seen any yet, nobrot.
Boneidol
8th September 2008 - 07:23 PM
QUOTE (NEONOM+Sep 8 2008, 07:17 PM)
And before that you can send in evidence that you are not a complete delusional godsucker cos we havent seen any yet, nobrot.
Anyone can make up a crap list. Anyone can gather around a bunch of yob pals and make up all sorts of crap. These things will be exposed more nowadays, because we have the medium for doing that. In the past all your little corruptions could be swept under the carpet. You'd better think again. You are exposed as not befitting the scientific attitude. People will want to know. And it will be science that benefits, not your little egos. Welcome to the age where the world is small enough to expose you. You'll have to dig a little hole and get your fill of cussing, because it won't work in public much longer, little NEONOM.
MjolnirPants
8th September 2008 - 07:33 PM
QUOTE (Boneidol+Sep 8 2008, 06:51 PM)
What a pile of rubbish yet again. Send in your friggin evidence that I've claimed to have been the first to truly explore tonal inversion. If you'd bothered to read you'd know I don't make those claims.
Liar.
QUOTE
I was not aware that scales had been mirrored when I found out for myself in 1989. It was in 1993 that a new music colleague informed me of this fact. I purchased a book by Vincent Persichetti called Twentieth Century Harmony, and realized that only the first step had been performed when mirroring a scale, and that no actual journey into the ‘mirror side’ itself had been undertaken,
There you go.
You unambiguously claim that "no actual journey into the 'mirror side' itself had been undertaken" at the time you wrote your little book.
QUOTE (->
| QUOTE |
| I was not aware that scales had been mirrored when I found out for myself in 1989. It was in 1993 that a new music colleague informed me of this fact. I purchased a book by Vincent Persichetti called Twentieth Century Harmony, and realized that only the first step had been performed when mirroring a scale, and that no actual journey into the ‘mirror side’ itself had been undertaken, |
There you go.
You unambiguously claim that "no actual journey into the 'mirror side' itself had been undertaken" at the time you wrote your little book.
What you've just posted is cop out stuff.
Are you claiming you've provided the evidence of all the above?
QUOTE
My favourite one in your list has to be that I need to send in evidence that you are BDW. Very very cute sunshine. Even that was shoved under your nose but you refused to admit it.
Evidence is reproducable, or at the very least, verifiable.
For instance, anyone can read your book and see that the section I quoted above is in it. The 'evidence' you provided to support your claim that I'm BDW came from a biased source (newguy) who provided a broken link to verify it. There is no way to verify that BDW ever wrote that, hence: it's not evidence, but just another claim.
QUOTE (->
| QUOTE |
| My favourite one in your list has to be that I need to send in evidence that you are BDW. Very very cute sunshine. Even that was shoved under your nose but you refused to admit it. |
Evidence is reproducable, or at the very least, verifiable.
For instance, anyone can read your book and see that the section I quoted above is in it. The 'evidence' you provided to support your claim that I'm BDW came from a biased source (newguy) who provided a broken link to verify it. There is no way to verify that BDW ever wrote that, hence: it's not evidence, but just another claim.
people that aren't your mates here are begining to think you are a right fraud Matt. I knew that from months ago.
What a complete pile of it!

My feedback score was under 75% when you got here. It was also lower than 70.
Since you've gotten here, more people have expressed their approval of me than their disaproval, liar.
Your feedback started at 100%, with 1 positive when you got here. Where is it now? 42.42% with 32 more negs than positives. You have 14 unique positives. I have 41. Oooooooh, spooky mirror inversion, Liu? I'm what you could be if you were more honest.
bm1957
8th September 2008 - 07:34 PM
QUOTE (Boneidol+Sep 8 2008, 07:15 PM)
You and your fukking opponents and challenges., You are a man led by your ego. Until I met people like you here, i was doing rather nicely not caring about competing and dual minded scoffers. What's up with your poor wounded egos? Scared you're a failure deep down?
brent.tc
8th September 2008 - 08:06 PM
Lol, I was about to ask if boneidol was the new mental case of PhysOrg... but then I saw that he had 1100+ posts.
MjolnirPants
8th September 2008 - 08:12 PM
QUOTE (brent.tc+Sep 8 2008, 08:06 PM)
Lol, I was about to ask if boneidol was the new mental case of PhysOrg... but then I saw that he had 1100+ posts.
Look at his join date.
He's made that many posts in about a month and a half. 23.5 posts per day on average.
Keep that in mind whenever you see him telling others to get a life.
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