old and in the way
27th March 2005 - 06:57 PM
A few thoughts on some of the comments I've read here this morning:
"Wanna feed a musician? Buy a ticket to a show." Sounds reasonable, if you've never tried to earn a living playing live music. I started doing so in 1973 right out of high school. Pre-disco there was a little money to be made playing live, because bars and club owners had to have live bands to attract patrons (trans. sell booze). The going rate for a band fell when disco came in and we began competing with recorded music. Rates for live bands never recovered. Many bands in the major cities now play for nearly nothing just to get the "exposure". OLD JOKE: What does a musician do when he wins the lottery? ANS: He keeps on giggin' until the money runs out." Only a tiny tiny minority of local musicians, no matter what their talent, can make a living, or a life, out of playing live music. There's nothing better that you can do standing up with your clothes on, but as for a paycheck you can use to feed, clothe, and house yourself, or a family, forget it. Anyone who thinks otherwise is kidding themselves.
Another common misconception is that file sharing is some kind noble, democratic act of benign goodness and love. Bullshit. It's theft, pure and simple. I venture to say that none of the "aristocrats" whose comments I've read here today would ever dream of entering a grocery store and indulge in taking bites out of items in the produce section, then stroll over to the snack isle, tear open boxes of cookies and eat those, and then expect to leave the store without paying for what they consumed first, or being arrested. Yet, those same arrogant SOB's feel they are on some kind of Mission From God, when it comes to ripping off song files. All who feel justified in doing so are each and everyone of you, conveniently delusional, selectively honest, and of marginal integrity.
Music like all art forms requires dedication, practice, devotion to the process of creative effort. It is time comsuming, and challenging in ways that no one who as never tried to learn to play at any other than the most rudimentary level knows first hand. Hiding behind the rationalization that you are ripping off the recording labels does not satisfy the underlying truth that many talented artists will be denied a carreer as a direct result of your greed. That's all file sharing is - greed, the acute desire to obtain something from another without giving them anything of value in return.
We musicians will be denied the opportunity to make a living at something we love. The listening public, will be denied the pleasure of the efforts of unknown, and unheard genious as the long term effect of the wholesale theft that is currently being touted by pick-pockets continues. Why? Because no person who has any self-respect, or desire to achieve something of quality in their lives is going to labor at a job they can't make money at. Bottom line - you have to feed yourself before you can make art. This is true whether you are a cro-magnon man living thousands of years ago on the plains of Europe, following herds musk ox, or you are simply a musky odored cretin with delusions of grandure living on meth in some hovel in LA. What we have now in the music business is an over supply of mediocre dilitants busily ripping each other off.
Here's a question for all you who have downloaded music files without paying the people who made the music - why should anyone bother to entertain you in the first place? What do I get out of making a serious effort to learn the art of live and recorded performance, if I can't feed myself with my efforts? Apparently, there are those who put such little value on themselves and their efforts that they are willing to play just to be able to say "I'm a professional musician". Sounds like the call of the common wannabe to my ears. CAW, CAAW. If mediority is close enough for jazz, good enough for government work, then this is a great time to own a PC.
The analogy by another post of the lending library as a form file sharing doesn't hold water for the simple reason the libraries allow you to borrow a book, not take it home and copy it for free. That is an important distiction, because once something has been copied for free enough times it can no longer be sold. The market has been tapped, and the opportunity for the people who gave their time, and souls to create the work is forever lost. End of the line.
Have you ever wondered why there are virtually no new artists of the stature of a Bonno, or a Jackson Brown, or a John Lennon in the last few years? Many of you will no doubt blame the recording companies. If you download for free you must look in the mirror for the real culprits. Without distribution, and promotion it is simply impossible for a band doing something of noteworthy quality to rise above the cacophany of annonymous song smiths flooding cyber space with forgettable bits, and bites of song files.
It is blatant hypocracy to use the greed of the recording companies to rationalize one's own personal avarice. I'm not saying the record companies are angels. I am saying two wrongs don't make a right. Simple, and true. If you all really love music, and need it as much as you do, then you aught to be willing to pay for it. If you aren't, then kiss off. Who needs to bust their ass for the likes of you? Only a fool in love with the sound of his own voice. Who wants to listen that, except maybe another dilusional fool?
The technology will not go away, as one commentator rightly pointed out. The real artists, the ones who really have something of lasting quality and purpose will. What will you do when the only songs to down load are all twenty years old, or of such poor conception and mediocre quality that they aren't worth paying attention to. Maybe, the masses will have dumbed down the such an extent by that time that it won't matter. Bread and circus's worked for the Romans for a few hundred years before the Huns crashed the party and made a mess of things. Party on, Dude!