Liar.
I went ahead and bolded the part where I school you on musical theory, so that we can all see how ignorant you are in this subject, as well.

Rearranging existant information into a manner which implies some meaning does not make for original information. It doesn't even make understanding the process easier.
Now that's the most blatant lie you've ever told. The pdf file online contains more references to music than it does even to mathematics.
I guarantee you that those scales have already been written down somewhere else.
Your behavior implies is.
And I'm suppose to take your word that this is true? I know for a fact that you're a prolific liar. I don't believe anything you say without evidence.
No, just more knowledgable than you.
So it doesn't address music, but it addresses music scales?

Prove it.

In fact, I have read it. I even have a copy on my computer to reference anytime I feel like pointing out some more of your stupidities.
Not quite. There is no "row theory" in music, there are only rows. (There [B]is a 12 tone technique, which basically means using each note in a scale as often as every other in a piece of work.) The phrase "Retrograde Inversion" refers to not only inverting the tonal relationship of a melody, but inverting the temporal relationship as well. So not only does a melody's tonal progression invert, it is also played backwards.
When one is referring merely to inverting the tonal relationships, the proper (remember what "proper" means, it means "commonly accepted and agreed upon", not "correct") term is simply "inversion."[/B]
Nice try, though

Retrograde inversion existed before Schoenberg and Bartok. Schoenberg's contribution to this discussion seems to consist entirely of his creation of the 12 tone technique, which you've conflated with rows and retrograde inversion. The only link between them is that they are both techniques in serialism. Additionally, bm1957 is stating that's it's not a valid tool in physics. He has not once commented on it's musical validity.
Because that which you call a 'process' is not actually a process. It is a result of the specific and various numerlogical, numerical and musical processes you have applied. It does not exist outside of the very specific context of your pdf.
Well Darni, if you are such an authority, why not answer the questions I posed to "mirror man" Occidental physorg freak over at sciforums?
mirrorPI
27th August 2008 - 02:43 PM
QUOTE (Boneidol+Aug 27 2008, 02:36 PM)
Splendid trolling chaps. Did mommy forget to spank your naughty little butts when you were in your terrible twos? It's all going against you guys. You're representing science is the darkest of image. A little club of bodyguards no doubt. Bodyguards outside a music club protect the owners assets and interests, not music.
So you are the future right? The animal taking over?
The real mirrorPi at sciforums (that is me) already knows who the genius posting at sciforums is, under the name "mirror man". We've all played in the school yards boys. Never grew up did you Occidental?
Anyone aggreeing that you have the right to pretend to be me, post stuff made in the middle of useless debates with you, is the way to conduct science, then I don't see how I've lost out at all.
MjolnirPants
27th August 2008 - 02:47 PM
QUOTE (excaza+Aug 27 2008, 02:41 PM)
Your bolding fails! !sliaf gnidlob ruoY
Bonehead, in order to be really clever you should write your whole book backwards! !sdrawkcab koob elohw ruoy etirw dluohs uoy revelc yllaer eb ot redro ni ,daehenoB
I fixed it, thanks for the heads up!

Nice
retrograding, by the way.

Should I try a full on retrograde inversion? (assign each letter a number, a=1, b=2 etc, then invert those numbers such that z=1, y=2 etc, then convert my post to a numerical form using the first list, then convert it back into letters using the second.)
bm1957
27th August 2008 - 02:47 PM
QUOTE (Boneidol+Aug 27 2008, 02:08 PM)
It's called Retrograde Inversion, part of 12-tone row theory nowadays. That's why BM is wrong in stating it is not a valid tool.
You're a scheming canniving liar.
I categorically stated that I am not in a position to judge any of your work related to music. Lift your face out of the dirt and get off your belly, snake.
QUOTE
Actually,I think it's been about your egos all along. I've consistently said I am a layman. Trying to throw this "genius" at me is just stupid. I wouldn't be here now talking to you if I was.
I think Grumpy's reply sums up my thoughts on that:
QUOTE (->
| QUOTE |
| Actually,I think it's been about your egos all along. I've consistently said I am a layman. Trying to throw this "genius" at me is just stupid. I wouldn't be here now talking to you if I was. |
I think Grumpy's reply sums up my thoughts on that:
Then why(as a layman) do you assert that we are wrong to criticize the amateurish mistakes and outright mystical BS that fills your book from cover to cover??? That you are right and those who have extensively studied the science are wrong???
Hubris, thy name is EGO TRIP!!!
QUOTE
Had they done so, they would be able to reference each part that is wrong.
I referenced bits from the non-musical parts of your book which were trivial or wrong, you ignored them because I hadn't read the rest.
That's ingenuous.
MjolnirPants
27th August 2008 - 02:55 PM
QUOTE (bm1957+Aug 27 2008, 02:47 PM)
You're a scheming canniving liar.
I categorically stated that I am not in a position to judge any of your work related to music. Lift your face out of the dirt and get off your belly, snake.
In more ways than you have pointed out.
Check out the bolded portions of
this post.His knowledge of musical theory is no more complete than his knowledge of mathematics or physics.
excaza
27th August 2008 - 02:58 PM
QUOTE (MjolnirPants+Aug 27 2008, 09:39 AM)
And I'm suppose to take your word that this is true? I know for a fact that you're a prolific liar. I don't believe anything you say without evidence.
Sorry, no evidence of the diploma until you read the diploma.
Boneidol
27th August 2008 - 03:08 PM
QUOTE (MjolnirPants+Aug 27 2008, 02:39 PM)
Liar.
I went ahead and bolded the part where I school you on musical theory, so that we can all see how ignorant you are in this subject, as well.

Rearranging existant information into a manner which implies some meaning does not make for original information. It doesn't even make understanding the process easier.
Now that's the most blatant lie you've ever told. The pdf file online contains more references to music than it does even to mathematics.
I guarantee you that those scales have already been written down somewhere else.
Your behavior implies is.
And I'm suppose to take your word that this is true? I know for a fact that you're a prolific liar. I don't believe anything you say without evidence.
No, just more knowledgable than you.
So it doesn't address music, but it addresses music scales?

Prove it.

In fact, I have read it. I even have a copy on my computer to reference anytime I feel like pointing out some more of your stupidities.
Not quite. There is no "row theory" in music, there are only rows. (There is a 12 tone technique, which basically means using each note in a scale as often as every other in a piece of work.) The phrase "Retrograde Inversion" refers to not only inverting the tonal relationship of a melody, but inverting the temporal relationship as well. So not only does a melody's tonal progression invert, it is also played backwards.
When one is referring merely to inverting the tonal relationships, the proper (remember what "proper" means, it means "commonly accepted and agreed upon", not "correct") term is simply "inversion."Nice try, though
Retrograde inversion existed before Schoenberg and Bartok. Schoenberg's contribution to this discussion seems to consist entirely of his creation of the 12 tone technique, which you've conflated with rows and retrograde inversion. The only link between them is that they are both techniques in serialism. Additionally, bm1957 is stating that's it's not a valid tool in physics. He has not once commented on it's musical validity.
Because that which you call a 'process' is not actually a process. It is a result of the specific and various numerlogical, numerical and musical processes you have applied. It does not exist outside of the very specific context of your pdf.
You see Irdna darlin, I still aim to show that it is you that has not been open enough to really understand the ideas expressed. I will end my waste of time here, and trust you have a little portion of memory stored, where the means exist for me to shove you and your pal's opinions back up your posteriors. Even if you don't, I'm more than happy to go and get other opinions, without the input of trolls and hyenas.
Boneidol
27th August 2008 - 03:15 PM
QUOTE (MjolnirPants+Aug 27 2008, 02:55 PM)
In more ways than you have pointed out.
Check out the bolded portions of
this post.His knowledge of musical theory is no more complete than his knowledge of mathematics or physics.
In your dreams litle hyenas.
Here Dirna, these are the questions I just posed to your bumchum Occidental over at sciforums, where he pretends he is a mirror man:
QUOTE
You'll find this "mirror man" knows nothing about music theory at all. Ask him what the mirror tritone equates to in an E Mixolydian scale, then put through the triangle of keys until a mirror scale emerges. Then to take the arp scale partners through the circle of tones, until from a six note composition emerges a set of mirror transpositions and unconventional chord clusters.
Over to you "mirror man". You can confer with your pal Mpants.
QUOTE (->
| QUOTE |
You'll find this "mirror man" knows nothing about music theory at all. Ask him what the mirror tritone equates to in an E Mixolydian scale, then put through the triangle of keys until a mirror scale emerges. Then to take the arp scale partners through the circle of tones, until from a six note composition emerges a set of mirror transpositions and unconventional chord clusters. Over to you "mirror man". You can confer with your pal Mpants. |
Here's another mirror music question for you. Can you tell me the new mirror scale that emerges when both forms of the A Melodic Minor scale have retrograde inversion applied to them?
I only expect more aggressive hyena teeth to show themselves.
Nice how Anima Kulture and you have joined forces with Occidental "mirror man" physrog freak over at sciforums. Any more of this and Sapo's Joint will have got itself another off base mission. I'm sure theCod and NOM and Freda Woof won't be too far behind.
MjolnirPants
27th August 2008 - 03:19 PM
QUOTE (Boneidol+Aug 27 2008, 03:08 PM)
You see Irdna darlin, I still aim to show that it is you that has not been open enough to really understand the ideas expressed.
Of course you do, that's a given. It's the claim that you will (or even
can) succeed that I dispute. Especially given the fact that you just demonstrated a profound misunderstanding of some relatively simple aspects of musical theory.
QUOTE
Even if you don't, I'm more than happy to go and get other opinions, without the input of trolls and hyenas.
Try to get some from music professors and physicists.
Oh, and bring a camera when you do. I want to see the look on your face when they say the same thing I did.
Boneidol
27th August 2008 - 03:29 PM
QUOTE (MjolnirPants+Aug 27 2008, 03:19 PM)
Oh, and bring a camera when you do. I want to see the look on your face when they say the same thing I did.
Only if you promise to do likewise Darni, when they say nothing like you have.
I doubt any professor worth their salt would talk like you do. Well, Grumpy perhaps, but then he just cares about bashing fundies nowadays.
Nope, just an unfortunate detour through a land of hyenas.:-)))
orestis
27th August 2008 - 03:32 PM
QUOTE (Boneidol+Aug 27 2008, 11:15 AM)
In your dreams litle hyenas.
Here Dirna, these are the questions I just posed to your bumchum Occidental over at sciforums, where he pretends he is a mirror man:
I only expect more aggressive hyena teeth to show themselves.
Nice how Anima Kulture and you have joined forces with Occidental "mirror man" physrog freak over at sciforums. Any more of this and Sapo's Joint will have got itself another off base mission. I'm sure theCod and NOM and Freda Woof won't be too far behind.
"I only expect more aggressive hyena teeth to show themselves."
Dear Lennie, I mean Lui, (You remind me of a character in Of Mice and Men)
When using "hyenas" as a derogatory term you fail to realize the function they perform in the grand scheme of things. They weed out the weak and stupid.
Boneidol
27th August 2008 - 03:40 PM
QUOTE (orestis+Aug 27 2008, 03:32 PM)
"I only expect more aggressive hyena teeth to show themselves."
Dear Lennie, I mean Lui, (You remind me of a character in Of Mice and Men)
When using "hyenas" as a derogatory term you fail to realize the function they perform in the grand scheme of things. They weed out the weak and stupid.
It's no more than the "crank" calling mafia yobs are all about.
I've realized their intention to hunt down and prey, yes. It's weak and stupid and will lead to their downfall.
MjolnirPants
27th August 2008 - 03:42 PM
QUOTE (Boneidol+Aug 27 2008, 03:29 PM)
Only if you promise to do likewise Darni, when they say nothing like you have.

How would me carrying a camera around catch a picture of your face? Are you stalking me?
QUOTE
I doubt any professor worth their salt would talk like you do.
You've not met many professors, then. I have. Music and physics and history.
In fact, I communicate regularly with a history professor via email. I've been encouraged to study physics by physics professors, and I've been taught musical theory by music professors.
I assure you that they all look down upon and have no respect for people who claim to know the subject they teach, but make consistant mistakes in that area.
Oh, for the record? My name is Matt.

Feel free to use that from now on.
QUOTE (->
| QUOTE |
| I doubt any professor worth their salt would talk like you do. |
You've not met many professors, then. I have. Music and physics and history.
In fact, I communicate regularly with a history professor via email. I've been encouraged to study physics by physics professors, and I've been taught musical theory by music professors.
I assure you that they all look down upon and have no respect for people who claim to know the subject they teach, but make consistant mistakes in that area.
Oh, for the record? My name is Matt.

Feel free to use that from now on.
When using "hyenas" as a derogatory term you fail to realize the function they perform in the grand scheme of things. They weed out the weak and stupid.
What I find amusing is that it's not even applicable. The sockpuppet army (ASTERIX, Argyll, Dr. Fred, etc) are the only 'hyenas' here. People like you, me, Trippy, Euler, Trout, AN and others perform the role of the lioness, making the kills that the hyenas feed off of.
Boneidol
27th August 2008 - 03:47 PM
QUOTE (MjolnirPants+Aug 27 2008, 03:42 PM)

How would me carrying a camera around catch a picture of your face? Are you stalking me?
You've not met many professors, then. I have. Music and physics and history.
In fact, I communicate regularly with a history professor via email. I've been encouraged to study physics by physics professors, and I've been taught musical theory by music professors.
I assure you that they all look down upon and have no respect for people who claim to know the subject they teach, but make consistant mistakes in that area.
Oh, for the record? My name is Matt.

Feel free to use that from now on.
QUOTE (orestis+)
When using "hyenas" as a derogatory term you fail to realize the function they perform in the grand scheme of things. They weed out the weak and stupid.
What I find amusing is that it's not even applicable. The sockpuppet army (ASTERIX, Argyll, Dr. Fred, etc) are the only 'hyenas' here. People like you, me, Trippy, Euler, Trout, AN and others perform the role of the lioness, making the kills that the hyenas feed off of.
Ok Mat, I was talking about you taking a picture of your face.
I've met my fair share of profs and academics. This predator/prey mentality is what is new to me. I've made a note of it now.
MjolnirPants
27th August 2008 - 03:51 PM
QUOTE (Boneidol+Aug 27 2008, 03:47 PM)
I've met my fair share of profs and academics.
Again, I just don't believe you.
QUOTE
This predator/prey mentality is what is new to me.
It's not a mentality. It's an analogy. One which you started.
QUOTE (->
| QUOTE |
| This predator/prey mentality is what is new to me. |
It's not a mentality. It's an analogy. One which you started.
I've made a note of it now.
OOooooOoOoOoOOoOoOOoOooOooOooOooOooo.....
I'm skerd...
orestis
27th August 2008 - 04:01 PM
There is no hope for you Lui. You are desperately holding on to tattered pieces of your ego and you cant learn like that.
Good luck.
Boneidol
27th August 2008 - 04:03 PM
QUOTE (MjolnirPants+Aug 27 2008, 03:51 PM)
QUOTE
Again, I just don't believe you.
What I find amusing is that it's not even applicable.
QUOTE (->
| QUOTE |
| Again, I just don't believe you. |
What I find amusing is that it's not even applicable.
It's not a mentality. It's an analogy. One which you started.
I assure you that they all look down upon and have no respect for people
QUOTE
OOooooOoOoOoOOoOoOOoOooOooOooOooOooo.....
I'm skerd...
Feel free to use that from now on.
Boneidol
27th August 2008 - 04:23 PM
Worked them out yet Matt?
QUOTE
You'll find this "mirror man" knows nothing about music theory at all. Ask him what the mirror tritone equates to in an E Mixolydian scale, then put through the triangle of keys until a mirror scale emerges. Then to take the arp scale partners through the circle of tones, until from a six note composition emerges a set of mirror transpositions and unconventional chord clusters.
Over to you "mirror man". You can confer with your pal Mpants.
Here's another mirror music question for you. Can you tell me the new mirror scale that emerges when both forms of the A Melodic Minor scale have retrograde inversion applied to them?
Need some help with "Arp" scales? Surely your musical superiority can quickly work out the new mirror scale one can obtain when applying Retrograde Inversion on the two forms of the Melodic Minor scales. I've been writing tunes in this new mirror scale since 1993. You must know which one I mean.
MjolnirPants
27th August 2008 - 05:02 PM
QUOTE (Boneidol+Aug 27 2008, 04:23 PM)
Worked them out yet Matt?
Huh?
Is that from sciforums? I haven't even looked at that thread since my last post there. I find the star trek vs star wars thread much more interesting

QUOTE
Surely your musical superiority can quickly work out the new mirror scale one can obtain when applying Retrograde Inversion on the two forms of the Melodic Minor scales.
You can't
retrograde a scale, because it's the same scale whether it's ascending or descending. Only a melody. You can, however,
invert a scale.
In answer to your question, I believe the inversion of C melodic minor is a C Chakravakam scale, but I'm not sure. I don't have my books here to double check.
Boneidol
27th August 2008 - 05:25 PM
QUOTE (MjolnirPants+Aug 27 2008, 05:02 PM)
Huh?
Is that from sciforums? I haven't even looked at that thread since my last post there. I find the star trek vs star wars thread much more interesting

You can't
retrograde a scale, because it's the same scale whether it's ascending or descending. Only a melody. You can, however,
invert a scale.
In answer to your question, I believe the inversion of C melodic minor is a C Chakravakam scale, but I'm not sure. I don't have my books here to double check.
You've not understood the question. A new mirror scale can be formed when both forms of the melodic minor have retrograde inversion applied to them. Your C Chakravakam scale is the wrong answer. You need to think past that.
A B C D E F# G# A = A Melodic Minor scale
There is your notes for one of the two forms. Inverting the steps required to make that scale is just the first step. You need the second form that many composers used to descend a given melody with, invert the steps of that scale again, view the results and try to work out a new mirror scale from it all.
Boneidol
27th August 2008 - 05:49 PM
Your C Chakravakam scale is a mixolydian b2 scale, and not a melodic minor mode. The mirror of any melodic minor ascending scale is always another melodic minor ascending scale one tone down. So C Melodic minor mirrored is Bb melodic minor commenced from its second mode..
MjolnirPants
27th August 2008 - 05:50 PM
QUOTE (Boneidol+Aug 27 2008, 05:25 PM)
Your C Chakravakam scale is the wrong answer. You need to think past that.
The formula for a melodic minor scale is W H W W H W* H (W* is an augmented 2nd).
The notes you give are for an
ascending melodic minor in A, not a true melodic minor. (otherwise known as a harmonic minor)
So if it's not the Chakravakam scale, then what scale is it? Be careful. I have every intention of checking your answer when I get home, so if you screw up, I will point it out.
Hell, I'm sure I can find the info I need online.
http://74.125.95.104/search?q=cache:W5jigL...clnk&cd=1&gl=usYep, the true melodic minor, when inverted gives the Chakravakam scale.
QUOTE
A B C D E F# G# A = A Melodic Minor scale
While that's not the A melodic minor (it's the A
ascending melodic monir), you got one thing right, I didn't get the question the way you apparently meant it.
So using the ascending melodic minor, we get the formula W H W W W W H.
It's
inversion is the minor 7, b9.
Do you see what I'm doing here? I'm
answering your questions honestly (and accurately), even though you're only asking them in order to try to prove you know more than I do. Do you see what happens when I do so? I prove my case.
You should try to do that sometimes.
QUOTE (->
| QUOTE |
| A B C D E F# G# A = A Melodic Minor scale |
While that's not the A melodic minor (it's the A
ascending melodic monir), you got one thing right, I didn't get the question the way you apparently meant it.
So using the ascending melodic minor, we get the formula W H W W W W H.
It's
inversion is the minor 7, b9.
Do you see what I'm doing here? I'm
answering your questions honestly (and accurately), even though you're only asking them in order to try to prove you know more than I do. Do you see what happens when I do so? I prove my case.
You should try to do that sometimes.
Your C Chakravakam scale is a mixolydian b2 scale, and not a melodic minor mode. The mirror of any melodic minor ascending scale is always another melodic minor ascending scale one tone down. So C Melodic minor mirrored is Bb melodic minor commenced from its second mode.
Wrong.
Boneidol
27th August 2008 - 06:07 PM
QUOTE (MjolnirPants+Aug 27 2008, 05:50 PM)
The formula for a melodic minor scale is W H W W H W* H (W* is an augmented 2nd).
The notes you give are for an
ascending melodic minor in A, not a true melodic minor. (otherwise known as a harmonic minor)
So if it's not the Chakravakam scale, then what scale is it? Be careful. I have every intention of checking your answer when I get home, so if you screw up, I will point it out.
Hell, I'm sure I can find the info I need online.
http://74.125.95.104/search?q=cache:W5jigL...clnk&cd=1&gl=usYep, the true melodic minor, when inverted gives the Chakravakam scale.
While that's not the A melodic minor (it's the A
ascending melodic monir), you got one thing right, I didn't get the question the way you apparently meant it.
So using the ascending melodic minor, we get the formula W H W W W W H.
It's
inversion is the minor 7, b9.
Do you see what I'm doing here? I'm
answering your questions honestly (and accurately), even though you're only asking them in order to try to prove you know more than I do. Do you see what happens when I do so? I prove my case.
You should try to do that sometimes.
Wrong.
Umm no, you have it the wrong way round.
The augmented second is associated with the harmonic minor, not melodic minor.
C D Eb F G A B C= C melodic minor = W H W W W W H
C D Eb F G Ab B C = C harmonic minor = W H W W H W* H
That's your first screw up. I know you're just confused by them, so I'll forgive you.
Your Chakravakam scale = C Db E F G A Bb = mixolydian b2
It's not associated with either harmonic nor melodic minor scales. I think it is an Indian scale.
So you are plain wrong in the very first step.
Every musician that knows their scales will correct you so far. Ascending melodic minor in A = A B C D E F# G#A. In classical music it was fashionable (in order to help singers) to flatten the 6th and 7th degree of the scale on the way down = A B C D E F G A , a plain Aeolian mode.
So, try now having the maturity to admit your error. Or would you like a pile of links to show you it?
Try this simple one:
http://www.ultimate-guitar.com/lessons/sca...nor_scales.htmlhttp://www.jazzguitar.be/melodic_minor_modes.htmlIn fact check out the whole search on these scales:
http://www.google.co.uk/search?hl=en&q=mel...le+Search&meta=From here, having ascertained the correct mirror scales, you still need to work out how I spotted a new mirror scale from all the information.
Boneidol
27th August 2008 - 06:18 PM
QUOTE (MjolnirPants+Aug 27 2008, 05:50 PM)
Do you see what I'm doing here? I'm
answering your questions honestly (and accurately), even though you're only asking them in order to try to prove you know more than I do. Do you see what happens when I do so? I prove my case.
You should try to do that sometimes.
And don't forget I'm only probing you because of what you said earlier:
QUOTE
Especially given the fact that you just demonstrated a profound misunderstanding of some relatively simple aspects of musical theory.
MjolnirPants
27th August 2008 - 06:29 PM
QUOTE (Boneidol+Aug 27 2008, 06:07 PM)
Umm no, you have it the wrong way round.
The augmented second is associated with the harmonic minor, not melodic minor.
You didn't read my post.
I already pointed out that the harmonic minor contains the augmented second. I also pointed out that which you seem unaware of: The ascending and descending melodic minors are variations of the harmonic minor, which is also know as the true melodic minor.
QUOTE
That's your first screw up. I know you're just confused by them, so I'll forgive you.
How can it be a screw up even by your own standards when you agreed with me?
QUOTE (->
| QUOTE |
| That's your first screw up. I know you're just confused by them, so I'll forgive you. |
How can it be a screw up even by your own standards when you agreed with me?
Your Chakravakam scale = C Db E F G A Bb = mixolydian b2
What's the formula there? H W* H W W H W. The inversion of the harmonic minor (I'll use the more common terminology, since my use of more technical terminology is obviously confusing you.)
QUOTE
It's not associated with either harmonic nor melodic minor scales. I think it is an Indian scale.
It
is an indian scale (I figured the name made that obvious to anyone reading, but apparently not so to you). It's also the inversion of the harmonic minor.
QUOTE (->
| QUOTE |
| It's not associated with either harmonic nor melodic minor scales. I think it is an Indian scale. |
It
is an indian scale (I figured the name made that obvious to anyone reading, but apparently not so to you). It's also the inversion of the harmonic minor.
So you are plain wrong in the very first step.
Wrong. I answered the 'wrong' question. I skimmed the question, then glanced at a keyboard, then came back an answered. I missed your mention of the two forms, which changed the question in my mind. In answer to the question "what is the inversion of the harmonic minor scale?" the correct answer is "the chakravakam scale".
QUOTE
Every musician that knows their scales will correct you so far.
Wrong. Not every musician even knows what we're talking about. Those who do will either make a mistake, or agree with me.
QUOTE (->
| QUOTE |
| Every musician that knows their scales will correct you so far. |
Wrong. Not every musician even knows what we're talking about. Those who do will either make a mistake, or agree with me.
So, try now having the maturity to admit your error.
If you'd read my post, you'd have seen where I already admitted to misunderstanding your question. Why can't you acknowledge the accuracy of the information I provided once you account for that misunderstanding?
Hell, for that matter, why can't you read my posts?
QUOTE
Or would you like a pile of links to show you it?
You still haven't addressed the fact that the chakravakam is the inversion of the harmonic minor (don't forget, the harmonic minor is also known as the true melodic minor!), or that the minor 7, b9 is the inversion of the ascending melodic minor.
QUOTE (->
| QUOTE |
| Or would you like a pile of links to show you it? |
You still haven't addressed the fact that the chakravakam is the inversion of the harmonic minor (don't forget, the harmonic minor is also known as the true melodic minor!), or that the minor 7, b9 is the inversion of the ascending melodic minor.
From here, having ascertained the correct mirror scales, you still need to work out how I spotted a new mirror scale from all the information.
There is no new scale here. It is IMPOSSIBLE for you to produce a new, octave-repeating scale in a 12 tone octave, because all such scales have already been described. I can't do it, either.
If you want to produce a 'new' octave-repeating scale in a 12 tone octave, you need to travel back in time about a thousands years or more.
Boneidol
27th August 2008 - 06:30 PM
Here's some more everyday music theory for you Matt:
QUOTE
If you put a b2 into a G mixolydian scale you'll get (technically) a G mixolydian b2 scale. This is very close to the sound we get from the 7th mode of the melodic minor scale which is basically a mixolydian scale with a b2 and a b6 which, has the best mode name of them all theeeeeeeee.....SUPER LOCRIAN!!!! Tan Ta tata tan tata tan tata!
Well it's one note off! Treat it like a watered down Superlocrian type color.
http://www.alloutguitar.com/lessons/style/...ominants_part_2 So, add the b6 to your mixolydian b2 scale and you get the super locrian mode from the melodic minor.
MjolnirPants
27th August 2008 - 06:34 PM
QUOTE (Boneidol+Aug 27 2008, 06:30 PM)
Here's some more everyday music theory for you Matt:
Have you gone back and read my posts yet?
Did you read this part?
QUOTE
The formula for a melodic minor scale is W H W W H W* H (W* is an augmented 2nd).
The notes you give are for an ascending melodic minor in A, not a true melodic minor. (otherwise known as a harmonic minor)
What about this part?
QUOTE (->
| QUOTE |
The formula for a melodic minor scale is W H W W H W* H (W* is an augmented 2nd). The notes you give are for an ascending melodic minor in A, not a true melodic minor. (otherwise known as a harmonic minor)
|
What about this part?
While that's not the A melodic minor (it's the A
ascending melodic monir), you got one thing right, I didn't get the question the way you apparently meant it.
So using the ascending melodic minor, we get the formula W H W W W W H.
It's inversion is the minor 7, b9.
Boneidol
27th August 2008 - 06:37 PM
QUOTE (MjolnirPants+Aug 27 2008, 06:29 PM)
You didn't read my post.
I already pointed out that the harmonic minor contains the augmented second. I also pointed out that which you seem unaware of: The ascending and descending melodic minors are variations of the harmonic minor, which is also know as the true melodic minor.
How can it be a screw up even by your own standards when you agreed with me?
What's the formula there? H W* H W W H W. The inversion of the harmonic minor (I'll use the more common terminology, since my use of more technical terminology is obviously confusing you.)
It
is an indian scale (I figured the name made that obvious to anyone reading, but apparently not so to you). It's also the inversion of the harmonic minor.
Wrong. I answered the 'wrong' question. I skimmed the question, then glanced at a keyboard, then came back an answered. I missed your mention of the two forms, which changed the question in my mind. In answer to the question "what is the inversion of the harmonic minor scale?" the correct answer is "the chakravakam scale".
Wrong. Not every musician even knows what we're talking about. Those who do will either make a mistake, or agree with me.
If you'd read my post, you'd have seen where I already admitted to misunderstanding your question. Why can't you acknowledge the accuracy of the information I provided once you account for that misunderstanding?
Hell, for that matter, why can't you read my posts?
You still haven't addressed the fact that the chakravakam is the inversion of the harmonic minor (don't forget, the harmonic minor is also known as the true melodic minor!), or that the minor 7, b9 is the inversion of the ascending melodic minor.
There is no new scale here. It is
IMPOSSIBLE for you to produce a new, octave-repeating scale in a 12 tone octave, because all such scales have already been described. I can't do it, either.
If you want to produce a 'new' octave-repeating scale in a 12 tone octave, you need to travel back in time about a thousands years or more.
What a complete pile of dung. you've just caused mass laugter in the music world.
This is what you said:
QUOTE
The formula for a melodic minor scale is W H W W H W* H (W* is an augmented 2nd).
The notes you give are for an ascending melodic minor in A, not a true melodic minor. (otherwise known as a harmonic minor)
Pile of dung mate. I think any music prof you know must be Pinky or Perky.
Go away and study you little idiot. That's my "justified" insult to you, you friggin MO. Trying to wiggle your way out of it by declaring that kind of BS above is only harming your own learning curve.
QUOTE (->
| QUOTE |
The formula for a melodic minor scale is W H W W H W* H (W* is an augmented 2nd). The notes you give are for an ascending melodic minor in A, not a true melodic minor. (otherwise known as a harmonic minor) |
Pile of dung mate. I think any music prof you know must be Pinky or Perky.
Go away and study you little idiot. That's my "justified" insult to you, you friggin MO. Trying to wiggle your way out of it by declaring that kind of BS above is only harming your own learning curve.
There is no new scale here. It is
IMPOSSIBLE
Well there you go little narrow-minded boy. Bet you can't wait for volume two now, where I show the new scale and also offer two compositions using it.
Must dash Matt. It's my tuirn to watch a bit of sci-fi now.
MjolnirPants
27th August 2008 - 06:45 PM
QUOTE (Boneidol+Aug 27 2008, 06:37 PM)
What a complete pile of dung. you've just caused mass laugter in the music world.
...
Pile of dung mate. I think any music prof you know must be Pinky or Perky.
How typical. As soon as I demonstrate you to be wrong, you resort to unqualified insults.
QUOTE
Go away and study you little idiot. That's my "justified" insult to you, you friggin MO. Trying to wiggle your way out of it by declaring that kind of BS above is only harming your own learning curve.
It's not justified. You haven't proven anything I said wrong except that the chakravakam scale is not the inversion of the ascending melodic minor, and I not only pointed that out before you did, but showed how it was a claim I made only because I misunderstood your question.
Even if I didn't misunderstand the question, and even if I didn't provide the correct answer the second time, I've still shown your idiocy several times over, through your incorrect (not just improper, this time) use of the word "retrograde" in place of the word "inversion", through demonstrating that you simply made up a term (12 tone row theory), and in a few other ways.
QUOTE (->
| QUOTE |
| Go away and study you little idiot. That's my "justified" insult to you, you friggin MO. Trying to wiggle your way out of it by declaring that kind of BS above is only harming your own learning curve. |
It's not justified. You haven't proven anything I said wrong except that the chakravakam scale is not the inversion of the ascending melodic minor, and I not only pointed that out before you did, but showed how it was a claim I made only because I misunderstood your question.
Even if I didn't misunderstand the question, and even if I didn't provide the correct answer the second time, I've still shown your idiocy several times over, through your incorrect (not just improper, this time) use of the word "retrograde" in place of the word "inversion", through demonstrating that you simply made up a term (12 tone row theory), and in a few other ways.
Well there you go little narrow-minded boy. Bet you can't wait for volume two now, where I show the new scale and also offer two compositions using it.
Give me a 'new' octave-repeating scale in a 12 tone octave. I'll give you the
EXISTING name or description.
Boneidol
27th August 2008 - 07:00 PM
QUOTE (MjolnirPants+Aug 27 2008, 06:45 PM)
How typical. As soon as I demonstrate you to be wrong, you resort to unqualified insults.
It's not justified. You haven't proven anything I said wrong except that the chakravakam scale is not the inversion of the ascending melodic minor, and I not only pointed that out before you did, but showed how it was a claim I made only because I misunderstood your question.
Even if I didn't misunderstand the question, and even if I didn't provide the correct answer the second time, I've still shown your idiocy several times over, through your incorrect (not just improper, this time) use of the word "retrograde" in place of the word "inversion", through demonstrating that you simply made up a term (12 tone row theory), and in a few other ways.
QUOTE
Harmonic and Melodic Minor Scales
All of the scales above are natural minor scales. They contain only the notes in the minor key signature. There are two other kinds of minor scales that are commonly used, both of which include notes that are not in the key signature. The harmonic minor scale raises the seventh note of the scale by one half step, whether you are going up or down the scale. Harmonies in minor keys often use this raised seventh tone in order to make the music feel more strongly centered on the tonic. (Please see Beginning Harmonic Analysis for more about this.) In the melodic minor scale, the sixth and seventh notes of the scale are each raised by one half step when going up the scale, but return to the natural minor when going down the scale. Melodies in minor keys often use this particular pattern of accidentals, so instrumentalists find it useful to practice melodic minor scales.
http://cnx.org/content/m10856/latest/http://www.free-online-piano-lessons.com/p...onic-minor.html Let's analyse what you said again:
QUOTE (->
| QUOTE |
Harmonic and Melodic Minor Scales All of the scales above are natural minor scales. They contain only the notes in the minor key signature. There are two other kinds of minor scales that are commonly used, both of which include notes that are not in the key signature. The harmonic minor scale raises the seventh note of the scale by one half step, whether you are going up or down the scale. Harmonies in minor keys often use this raised seventh tone in order to make the music feel more strongly centered on the tonic. (Please see Beginning Harmonic Analysis for more about this.) In the melodic minor scale, the sixth and seventh notes of the scale are each raised by one half step when going up the scale, but return to the natural minor when going down the scale. Melodies in minor keys often use this particular pattern of accidentals, so instrumentalists find it useful to practice melodic minor scales.
http://cnx.org/content/m10856/latest/
http://www.free-online-piano-lessons.com/p...onic-minor.html |
Let's analyse what you said again:
The formula for a melodic minor scale is W H W W H W* H (W* is an augmented 2nd).
Wrong. Can you see whny this is wrong? You have given the formula for the harmonic minor.
QUOTE
The notes you give are for an ascending melodic minor in A, not a true melodic minor. (otherwise known as a harmonic minor)
Wrong, I gave the notes for a Melodic minor scale. Can you see how you are confused here?
QUOTE (->
| QUOTE |
| The notes you give are for an ascending melodic minor in A, not a true melodic minor. (otherwise known as a harmonic minor) |
Wrong, I gave the notes for a Melodic minor scale. Can you see how you are confused here?
Give me a 'new' octave-repeating scale in a 12 tone octave. I'll give you the
EXISTING name or description.

Here's another hint for you. the new mirror scale is an eight note scale, not standard seven note scale.
I have a book here by a guy with a Russian sounding name (can't remember it offhand), with more scales in it than a fish factory after a major haul. The new mirror scale is nowhere to be seen.
MjolnirPants
27th August 2008 - 07:18 PM
QUOTE (Boneidol+Aug 27 2008, 07:00 PM)
Wrong. Can you see whny this is wrong? You have given the formula for the harmonic minor.
Quote mining. You left out the very next sentence:
QUOTE
The notes you give are for an ascending melodic minor in A, not a true melodic minor. (otherwise known as a harmonic minor)
You are completely unaware of the term "true melodic minor", because of your lack of formal music education. It is an archaic term, not often used today, however any music history course will teach it to you. It is synonymous with "harmonic minor", and any educated musician will think of a harmonic minor when someone says merely "melodic minor" instead of "ascending/descending melodic minor".
The reason for this is that the ascending and descending melodic minor scales are variations of the harmonic minor scale, invented because they contain more natural transitions than the harmonic minor, thus rendering them more suitable for performance by vocals and aserial instruments.
http://en.wikipedia.org/wiki/Melodic_minor...d_melodic_minorQUOTE (->
| QUOTE |
| The notes you give are for an ascending melodic minor in A, not a true melodic minor. (otherwise known as a harmonic minor) |
You are completely unaware of the term "true melodic minor", because of your lack of formal music education. It is an archaic term, not often used today, however any music history course will teach it to you. It is synonymous with "harmonic minor", and any educated musician will think of a harmonic minor when someone says merely "melodic minor" instead of "ascending/descending melodic minor".
The reason for this is that the ascending and descending melodic minor scales are variations of the harmonic minor scale, invented because they contain more natural transitions than the harmonic minor, thus rendering them more suitable for performance by vocals and aserial instruments.
http://en.wikipedia.org/wiki/Melodic_minor...d_melodic_minorWrong, I gave the notes for a Melodic minor scale. Can you see how you are confused here?
Wrong. You gave me the notes for an
ascending melodic minor scale. As I said already, when you say merely "melodic minor", any educated musician will think immediately of a harmonic minor.
QUOTE
Here's another hint for you. the new mirror scale is an eight note scale, not standard seven note scale.
Octatonic scales already exist.
http://en.wikipedia.org/wiki/Octatonic_scaleQUOTE (->
| QUOTE |
| Here's another hint for you. the new mirror scale is an eight note scale, not standard seven note scale. |
Octatonic scales already exist.
http://en.wikipedia.org/wiki/Octatonic_scaleI have a book here by a guy with a Russian sounding name (can't remember it offhand), with more scales in it than a fish factory after a major haul. The new mirror scale is nowhere to be seen.
So you can't remember the guy's name, but you know with absolute assurance that not only is your 'new' scale not it, but it contains every named or described scale?
AlphaNumeric
27th August 2008 - 07:38 PM
QUOTE (Boneidol+Aug 26 2008, 01:47 PM)
Peer reviewers give their names away, you know where they are working and their history.
Actually, when you submit a paper to a journal, you never find out who reviewed it. It's to avoid people like truthmost doing
this.
Boneidol
27th August 2008 - 08:08 PM
QUOTE (MjolnirPants+Aug 27 2008, 07:18 PM)
Quote mining. You left out the very next sentence:
You are completely unaware of the term "true melodic minor", because of your lack of formal music education. It is an archaic term, not often used today, however any music history course will teach it to you. It is synonymous with "harmonic minor", and any educated musician will think of a harmonic minor when someone says merely "melodic minor" instead of "ascending/descending melodic minor".
The reason for this is that the ascending and descending melodic minor scales are variations of the harmonic minor scale, invented because they contain more natural transitions than the harmonic minor, thus rendering them more suitable for performance by vocals and aserial instruments.
http://en.wikipedia.org/wiki/Melodic_minor...d_melodic_minorWrong. You gave me the notes for an
ascending melodic minor scale. As I said already, when you say merely "melodic minor", any educated musician will think immediately of a harmonic minor.
Octatonic scales already exist.
http://en.wikipedia.org/wiki/Octatonic_scaleSo you can't remember the guy's name, but you know with absolute assurance that not only is your 'new' scale not it, but it contains every named or described scale?
I know what matt. let's both go to a music theory forum, where we can have a nice laugh about your latest stunt here. are you prepared to do so?
When you play a melodic minor, is it a harmonic minor? when you give a formula for a harmonic minor, should I call it melodic minor? You would rather play the role you adopt here. I say we settle it at a music theory forum where people can tell you to stfu. Wanna play away from home?
Now, about the new scale Matt. Do you think that kind of thing not possible? Whether it be new or old, where is your knowledge of it?
yeah, I know octatonic scales exist. What's that got to do with anything? Nine notes scales exist too. Five note and six note scales exist, so what?
PhysOrg scientific forums are totally dedicated to science, physics, and technology. Besides topical forums such as nanotechnology, quantum physics, silicon and III-V technology, applied physics, materials, space and others, you can also join our news and publications discussions. We also provide an off-topic forum category. If you need specific help on a scientific problem or have a question related to physics or technology, visit the PhysOrg Forums. Here you’ll find experts from various fields online every day.
To quit out of "lo-fi" mode and return to the regular forums, please click
here.