First off, I'd like to file a cross-complaint against Tobynottoby for consistent lying, abuse of other members and being a general disruption to this forum. I'd like him to be banned (again), and would especially love to see his IP address banned, so he cannot come back.
Next, I'll respond to his complaint.
First off, his claim is blatantly false to begin with.
Initially, I did in fact refer to it as the 'melodic minor', however the very next sentence goes on to refer to it as a 'true melodic minor' and a 'harmonic minor'. The reason for this discrepancy can be found through a perusal of the subsequent argument: I simply failed to type the word "true" the first time I referred to the scale. That is a mistake, however it is a typographical mistake, not a mistake made from a lack of knowledge of the relevant subject.
In that very post linked above, I explain to Liu the difference between his claimed formula for the melodic minor scale and the actual melodic minor -which ascends and descends differently, and thus needs two formulas to represent it. In his response, he then presumes to lecture me on the very subject I just finished explaining to him, making it obvious that he doesn't bother to read the content of my posts, but prefers to merely search through them for out-of-context quotes he can use to make straw-man arguments.
In fact, in the post linked below, Liu implicitly admits to quote mining my post in order to support his claims.
He also denies that the jazz minor has anything to do with the discussion (despite the fact that the jazz minor ascends and descends using the same formula as the ascending melodic minor according to every single source available) in this post, which is blatant dishonesty and an attempt to obfuscate his own repeating error.
In the post linked below, gmilam (another musician) corroborates my explanation of the difference between the 'melodic minor' and the jazz minor.
As the last peice of evidence to support my rebuttal, I submit the following from wikipedia:
Which shows that the 'melodic minor' that Liu keeps harping about is actually comprised of two separate scales, the ascending and descending melodic minors, the former of which is synonymous with the jazz minor.
And additionally, invite you to peruse his entire posting history in general, as this represents merely the first half of the first page of the posting history of his most recent handle. Prior handles include (but are not limited to):
All of whom have been banned (or suspended by yourself in one case) for the very behavior demonstrated in the above posts.
Mpants's reply contains various fundamental untruths. The true Melodic minor has nothing to do with the Harmonic minor, and he is buildign a strawman here. These two scales, melodic and harmonic minor, were evolved for completely different things in mind.
This statement is completely false all round:
QUOTE
The formula for a melodic minor scale is W H W W H W* H (W* is an augmented 2nd).
The notes you give are for an ascending melodic minor in A, not a true melodic minor. (otherwise known as a harmonic minor)
The first sentence is completely wrong. The formula he gives is for the harmonic minor.
An ascending melodic minor scale formula is the only true formula for that named scale, and Mpants is talking comlete rubbish here. The melodic minor ascends with the 6th and 7th note raised (as explained correctly by Gmilam). In classical music the melodic minor was used for ascending melodies (hence melodic minor name), but reverted to the normal natural minor scale on the descent. For example, the notes
A C D E F# G# A, G F E D C A
A composer here would use the melodic minor to ascend a melody, but revert to natural minor on the way down.
This has NOTHING to do with the Harmonic minor. Mpants must be terribly confused if he thinks otherwise. He gives the formula for harmonic minor, and then tries to qualify that with another untruth about "you only specified it ascending". Check with any music theorist and I am 100% confident that I will be seen to be correct.
The "get out clause" for Mpants is the modern use of the melodic minor, made popular by jazz musicians. They play the same scale both ascending and descending, not reverting back to natural minor.
Here is a correct list:
Melodic minor - W H W W W W H, for example, A B C D E F# G# A
Jazz Minor - W H W W W W H, for example, A B C D E F# G# A
Same scale see?
Natural Minor - W H W W H W W, for example, A B C D E F G A
Why would I need to bring in the jazz minor? what has this got to do with the harmonic minor?
Harmonic Minor - W H W W W W* H, for example, A B C D E F G# A
Mpants's logic is fundamentally flawed, and I ask that he own up to his mistake.
He is trying to twist it by saying I am not giving the notes for a true melodic minor, which is a false accusation. It is utter rubbish, as you see here by the only formula that the harmonic minor is known by. And , funnily enough, all this can be confirmed on the wiki page he posted.
Again, Mpants has refused the chance to admit his deceit. All he has done in his post there is skirt over his glaring error. I personally can't believe he is being allowed to get away with it. And that is not even mentioning the people that are backing this liar up here.
The question regarding physforum's integrity is being asked.
I reiterate, melodic minor is NEVER harmonic minor, nor is harmonic minor EVER associated with Jazz minor. So his defence regarding that is a complete strawman.
Over to you moderator. Your choice may be between someone you dislike and accurate knowledge. The tone you set will no doubt set a precedent for the health of discussions at physforum in the future.
[ Administrative summary.
Case 09-00001. Reply to Cross-Complaint and Follow-up to Original Complaint. TobyNotToby v. MjolnirPants.
Original Claim 1: The one true Melodic Minor scale is W H W W W W* H.
Defense Claim 1: Presents
Post which indicates defendant called "true melodic minor" synonymous with "harmonic minor" and gave pattern as W H W W H W* H = 12 semitones. All reference sources require any scale to contain 12 semitones, which is to say one octave per octave. Original complaint would have required 13.
Follow-up 1: Even if MjolnirPants intended to define "true melodic minor" as synonymous as "harmonic minor" in the original post (Aug 27, 2008), he does not get to do that. The court must consult an expert.
--
Claim 2: MjolnirPants denies claim one.
Defense Claim 2: Defense acknowledges that Defense denies assertion made in Original Claim 1, but asserts that it should be no crime to tell the truth.
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Claim 3: MjolnirPants has spread disinformation as in Claim 2 to the detriment of the current and future readers of this board who may be materially affected.
Defense Claim 3: Repeats Defense Claim 2: "Have not."
--
Claim 4: MjolnirPants has spread disinformation as in Claim 2 despite knowing better and as a calculated step.
Defense Claim 4: Repeats Defense Claim 2: "Have not."
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Claim 5: Pointless discussion ensued.
Defense Claim 5: While discussion may have been pointless indeed, that is for the most part attributed to Original Complainer bringing up the same incorrect points and bad faith in responding to posts as they are written.
Evidence cited for contextomy.--
Claim 6: MjolnirPants later cited Wikipedia as a source for Claim 1.
Defense Claim 6: Still does.
--
Claim 7: To the extent any correction of misinformation as in Claim 2 happened, that correction was untimely.
Defense Claim 7: Repeats Defense Claim 2: "Have not."
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Claim 8: The Jazz Minor is not the Harmonic Minor.
Defense Claim 8: Indeed, the Jazz minor is the melodic minor (and not true melodic) scale(s).
--
Claim 9: The one true Melodic Minor as in Claim 1 is identical to the Jazz Minor.
Defense Claim 9: It can't be.
Follow-up 9: Concedes point. Meant "ascending melodic minor" not "true melodic minor"
--
Petition for Relief 1: Force MjolnirPants to admit mistake.
Argument: Because Claim 5 is asserted, it follows that Claim 4. Claim 6 and Claim 2 together imply that MjolnirPants does not consistently subscribe to Claim 1. ]
Defense argument: From context, it was clear that the actual post was treating "true melodic minor" as synonymous with "harmonic minor" which all parties agree what was represented by me in evidenced post. All of this is in Complainer's own head.
Original Followup: Agrees with intent, disagrees with efficacy.
Cross-claim 10: TobyNotToby lies consistently
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Cross-claim 11: TobyNotToby abuses other members
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Cross-claim 12: TobyNotToby is a general disruption
--
Cross-claim 13: In support of 10, repeat defense claims 1, 2 and 9
Defense to Cross-claim 13: Repeat followups to 1 and 9.
Cross-claim 14: In support of 12, repeat defense claim 1 and 5.
Defense to Cross-claim 14: Repeat followups to 1.
Cross-claim 15: In support of 10, add assertion that TobyNotToby disregards Jazz minor and melodic minor scales being identical in various sources.
--
Cross-claim 16: In support of 11, cites
post to buttershug,
post to buttershug,
post to occidental,
post to TheDoc,
post to TheDoc,
post to RobDegraves,
post to RobDegraves--
Cross-claim 17: In support of 12, cites
post to Meem--
Cross-claim 18: In support of 12, cites user's long history of returning from bans, as evidenced at least by Complainer's own words in
post to Meem and the cause of complain which arises with boneidol.
--
Petition for Cross-claim relief 1: Ban TobyNotToby
Petition for Cross-claim relief 2: Block TobyNotToby's IP address.
Argument for Cross-claim: claims 10-12 are well-supported and require removal.
Defense argument for Cross-claim: None offered.
]